
Acclaimed actress Shweta Tripathi, known for her powerful performances across various platforms, recently opened up about the special allure of the silver screen, stating that the dream of the “bade parde” (big screen) is “definitely addictive.” Her sentiment highlights a deep-seated connection to the theatrical experience, a feeling that resonates strongly within the film fraternity and with audiences alike.
Tripathi, who has been a part of impactful cinema like Masaan and found immense success in the OTT space with hits like Mirzapur, is uniquely positioned to speak about the differences between the formats. For her, the big screen offers an incomparable thrill.
“To be back… and to see it begin made for the big screen that is very exciting. Kyonki woah jo bade parde ka jo sapna hota hai, which I luckily got with Masaan, that is definitely addictive, and it feels very good,” the actress shared.
This speaks to the gravitas and larger-than-life quality that a cinematic release inherently carries. The applause, the collective viewing experience, and the sheer scale of seeing one’s work projected in a dark theatre create a rush that remains unparalleled, even in the age of streaming.
While acknowledging the magnetic pull of the big screen, Tripathi remains deeply appreciative of the work she does on other platforms, especially her critically and commercially successful web series projects. Speaking about her experience on the set of Mirzapur, which is set for a big-screen continuation, she expressed genuine affection for her colleagues.
Tripathi’s ability to seamlessly transition between platforms underscores her versatility as an artist. Despite the accessibility and convenience of OTT, her comments serve as a poignant reminder that the big screen represents a classic, aspirational milestone in an actor’s journey—a dream that, once realised, continues to beckon with an irresistible, addictive force.