
New Delhi, january 16, 2026: The verdict is in for Aamir Khan Productions’ latest experimental venture, Happy Patel: Khatarnak Jasoos, and it’s safe to say this film isn’t for the faint of heart—or the overly logical.
Released on January 16, 2026, this Vir Das directorial debut has divided critics and audiences alike. While some hail it as a “fever dream” of comedic genius, others are calling it a test of patience. One thing is certain: the consensus suggests you should bring your headphones and leave your brain at the door.
The story follows Happy Patel (Vir Das), a bumbling brown chef raised by two white secret-agent dads in the UK. After discovering his Indian roots, he is recruited as an MI7 spy and sent to Goa to rescue a kidnapped dermatologist from the clutches of a lethal gangster named Mama (Mona Singh).
The film operates on a specific frequency of “brain rot” humor. Much of the comedy hinges on Happy’s inability to speak Hindi, leading to aggressive word-mangling that would make a linguist faint:
Produced by Aamir Khan, the film tries to capture the irreverent, “Adults-Only” magic of the 2011 cult classic Delhi Belly. However, the reviews suggest a hit-to-miss ratio of about 1:5.
Critics have described the experience as a “Got Latent” show on steroids—referencing the viral talent show format known for its niche, sometimes polarizing humor. If you enjoy “unhinged” Western comedies like The Dictator or The Interview, you might find the absurdity hilarious. If you prefer structured narratives, you might find yourself checking your watch by the interval.
Despite the chaotic script, the performances have kept the buzz alive:
Happy Patel is technically sound with artistic cinematography, but the background score and inconsistent script make it a “watch at your own risk” experience. It’s a film that refuses to take itself seriously, and it expects the same from you.