“Mahavatar Narsimha” Roars at Box Office, Holds Strong Amidst “Saiyaara” Wave

In a surprising turn of events at the Indian box office, the animated mythological epic “Mahavatar Narsimha” is proving to be a formidable contender, garnering solid numbers despite the ongoing juggernaut of “Saiyaara.” While “Saiyaara” continues its phenomenal run, crossing the ₹250 crore mark domestically, “Mahavatar Narsimha” has quietly carved out its own space, captivating audiences and emerging as a significant success for Indian animation.

Released on July 25, 2025, “Mahavatar Narsimha,” directed by Ashwin Kumar, has collected an impressive estimated ₹21.95 crore net across India within its first four days. The film’s journey at the box office has been noteworthy, showcasing a strong upward trend over its opening weekend. After a modest start on Friday with ₹1.75 crore, collections surged dramatically on Saturday to ₹4.6 crore, and peaked on Sunday with a remarkable ₹9.5 crore. Although Monday, its fourth day, saw an expected dip in numbers, pulling in an estimated ₹6.1 crore, the overall momentum remains robust.

The Hindi version of “Mahavatar Narsimha” has been the primary driver of its success, contributing over ₹15 crore to the total. This indicates a significant connection with Hindi-speaking audiences, a demographic that has historically been challenging for animated films in India. The film’s performance marks a crucial breakthrough for Indian animation, which has long struggled to achieve widespread commercial viability since the success of “Hanuman” in 2005.

“Mahavatar Narsimha” tells the timeless tale of Lord Vishnu’s Narsimha avatar, focusing on the devotion of Prahlada and his unwavering faith in the face of his tyrannical father, Hiranyakashipu. Reviews have largely praised the film’s visual ambition, stunning animation, and sincere attempt to bring a beloved mythological story to life on the big screen. Many viewers have lauded its visual grandeur and emotional depth, calling it a pioneering effort in the realm of Indian animated cinema.

The film’s strong word-of-mouth has been instrumental in its growing popularity, leading to an expansion in theatre counts across the country. This organic growth in viewership suggests that audiences are keenly embracing animated storytelling rooted in Indian mythology, especially when presented with high production quality and a compelling narrative.

Looking ahead, the success of “Mahavatar Narsimha” is not just a standalone achievement. Producers Kleem Productions and Hombale Films have unveiled an ambitious multi-film animated franchise, with upcoming titles like “Mahavatar Parshuram” (2027), “Mahavatar Raghunandan” (2029), and a two-part finale on “Mahavatar Kalki” (2035 and 2037). Furthermore, the film is now set for a global theatrical release, hitting screens in key international markets including the UK, Europe, Australia, Singapore, and Malaysia starting July 31st. This international rollout is a testament to the film’s potential to transcend regional boundaries and resonate with a global audience.

While “Saiyaara” continues to dominate the multiplexes with its romantic drama, “Mahavatar Narsimha” is proving that there’s ample space for diverse content at the Indian box office. Its solid collections and positive reception signal a new chapter for Indian animation, demonstrating that authentic, high-quality mythological narratives can find a significant audience and establish a strong foothold in mainstream cinema.