
The full-frame mirrorless market is fiercely competitive, and Canon has continued its aggressive pace of innovation with the launch of the EOS R6 Mark III, a camera positioned to build upon the already stellar reputation of its predecessor, the EOS R6 Mark II. For hybrid shooters—those who demand uncompromising performance for both stills and video—the comparison between these two models is crucial.
While the Mark II was a significant step up from the original R6, the Mark III arrives with notable enhancements that solidify its position as a powerhouse for modern content creation. Here is a detailed breakdown of the key differences to determine which camera is the better investment.
The most impactful change in the EOS R6 Mark III is its newly developed sensor.
For photographers primarily concerned with maximum detail and the ability to crop images without severe quality loss, the Mark III’s higher resolution is a clear advantage. However, the Mark II’s lower resolution sensor may retain a slight edge in extreme low-light performance and managing file sizes.
Both cameras are speed demons, but the Mark III features key refinements inherited from Canon’s professional-tier bodies.
| Feature | Canon EOS R6 Mark II | Canon EOS R6 Mark III | Winner’s Edge |
| Electronic Shutter FPS | Up to 40 fps | Up to 40 fps | Tie (Excellent Speed) |
| Mechanical Shutter FPS | Up to 12 fps | Up to 12 fps | Tie (Solid Performance) |
| Buffer Depth | Dual UHS-II SD slots (Good buffer) | CFexpress Type B + UHS-II SD slots (Significantly deeper buffer) | Mark III (For Sports/Action) |
| Autofocus | Dual Pixel CMOS AF II (Excellent subject detection) | Refined Dual Pixel CMOS AF II (Improved algorithms, more subject types, Register People Priority) | Mark III (Superior Tracking) |
The Mark III’s inclusion of a CFexpress Type B card slot dramatically increases the camera’s buffer depth, making it a superior tool for professional action and wildlife photographers who shoot long bursts of high-resolution RAW files. Furthermore, the Mark III’s enhanced subject tracking—borrowing technology from flagship models like the R1 and R5 II—ensures a higher hit rate for challenging subjects like distant birds or fast vehicles.
The Canon EOS R6 Mark II set a high bar for video with its uncropped 4K 60p, but the Mark III pushes the envelope further for filmmakers.
The Mark III’s Open Gate 7K readout and higher-frame-rate options make it the more future-proof and versatile video camera, especially for cinematographers and creators with diverse distribution needs.
The question of which camera is “better” depends heavily on the user’s priorities and budget.
In summary, the Canon EOS R6 Mark III is undeniably the superior camera on paper, offering a compelling blend of higher resolution, faster buffer performance, and cutting-edge video features. It is a true next-generation hybrid powerhouse. However, the Canon EOS R6 Mark II remains an outstanding choice and represents exceptional value for a wide range of professionals and advanced enthusiasts, especially now that its price may see a drop following the Mark III’s release.