Urvashi Rautela Slams “Dabidi Dibidi” Trolls: Calls Balakrishna “Childlike”

New Delhi, May 7, 2026:In the ever-evolving world of Indian cinema, where viral clips and social media debates can make or break a film’s narrative, actress Urvashi Rautela has finally broken her silence on the “Dabidi Dibidi” controversy.

The song, which featured in the 2025 blockbuster Daaku Maharaaj, saw Urvashi paired alongside the legendary Telugu veteran Nandamuri Balakrishna (fondly known as NBK). While the film enjoyed commercial success, the song became a lightning rod for criticism, sparking intense debates over age gaps and choreography.

In a recent candid interview, Urvashi addressed the backlash with poise, offering a perspective that shifts the focus from the controversy to the veteran actor’s true personality.

The Controversy: Why “Dabidi Dibidi” Went Viral

The “Dabidi Dibidi” track initially caught fire for all the wrong reasons. Social media users were quick to point out the 34-year age difference between the 30-year-old Urvashi and the 64-year-old Balakrishna.

Beyond the age gap, certain segments of the choreography were labeled “vulgar” or “uncomfortable” by netizens. Viral clips from promotional events—showing the duo recreating the steps—only added fuel to the fire, with many claiming the actress looked “awkward” during the interaction.

“Childlike and Fun-Loving”: Urvashi’s Real Take on NBK

During a recent interaction with Radio Nasha, Urvashi Rautela finally set the record straight. Instead of distancing herself from the project, she praised Balakrishna’s infectious energy and surprisingly gentle demeanor. +1

“Working with him was definitely really, really amazing. He is very childlike and very fun-loving,” Urvashi shared.

She further described him as “super energetic,” noting that his off-screen persona is a stark contrast to the aggressive “angry man” image often portrayed in his films. Urvashi even shared a personal anecdote to highlight his warmth, revealing that Balakrishna was the first person to wish her on Valentine’s Day during their shoot last year.

Defending the Craft

When asked about the “vulgar” tags associated with the song, Urvashi was firm in her defense of the performance:

• Art over Optics: She described the dance as a “celebration of art” and an “absolute honour.”
• The Sridevi Comparison: Addressing the age gap, Urvashi noted that such pairings have been common in Indian cinema for decades, citing iconic stars like Sridevi who often worked with much older co-actors.
• Professionalism: She emphasized that as an artist, she focuses on her performance and the technicality of the craft rather than the social media noise.

Observations on Balakrishna’s Viral Moments

Nandamuri Balakrishna is no stranger to controversy, often trending for his blunt public interactions or viral videos of him pushing away fans’ phones. Urvashi admitted that she had witnessed these moments firsthand while working on the sets of Daaku Maharaaj.

However, her take was uniquely positive. “It used to be fun watching all this,” she remarked, adding that the fans themselves often don’t take offense. “They also love it… they are also happy. You won’t imagine the level of craze they have for him.”

The Impact of Daaku Maharaaj

Despite the digital storm, the collaboration between the Bollywood diva and the Tollywood titan proved to be a high-octane mix. Urvashi urged fans to look beyond the song and focus on the action sequences in the film, which she described as a “real kick.”

Aspect	Details
Film	Daaku Maharaaj
Lead Actors	Nandamuri Balakrishna, Urvashi Rautela
Song in Question	“Dabidi Dibidi”
Key Defense	Mutual respect, artistic collaboration, and high-energy performance

A Lesson in Navigating Modern Stardom

Urvashi Rautela’s response serves as a masterclass in handling PR crises. By calling Balakrishna “childlike” and “a legend,” she effectively humanized a figure that the internet had begun to caricature.

She acknowledged that “success inevitably invites scrutiny,” but chose to remain grounded in her experience on set rather than the narrative built by 15-second viral clips. For Urvashi, the “Dabidi Dibidi” chapter isn’t a regret—it’s a badge of honor from working with one of the most enduring icons of South Indian cinema.

As the dust settles on this controversy, it is clear that while the internet may debate the “optics,” the bond between the two stars remains one of mutual respect and high-energy professional synergy.